“Early Street Work: 1966-1976,”
Ariel Meyerowitz Gallery, New York, NY
2001
“Looking South: New York City
Landscapes, 1981-2001,” Ariel Meyerowitz Gallery,
New York, NY
Installation-a memory of the World Trade
Center, Ando Room, Art Institute of Chicago, Chicago,
IL
“The CapeÕs Light,” Catherine
Edelman Gallery, Chicago, IL
“Looking South: New York City
Landscapes, 1981-2001,” Sandra Berler Gallery,
MD
“The Nature of Cities,”
touring exhibit in Italy
2001-04
“After September 11: Images from
Ground Zero,” 150 exhibitions worldwide sponsored
by the Bureau of Educational and Cultural Affairs, U.S.
Department of State
2002
“The City Resilient,” 195
Broadway/Museum of the City of New York, New York, NY
"Before, After and Beyond September
11: Joel Meyerowitz's photographs of the World Trade
Center Site,” Museum of Contemporary Art, Scottsdale,
AZ
“The Aftermath and Before,”
U.S. Pavilion, 8th International Architecture
Exhibition, La Biennale di Venezia, Venice, Italy
2003
“After September 11: Images from
Ground Zero,” Center for Documentary Arts, Salt
Lake City, UT
“After September 11: Images from
Ground Zero,” Manhattan College, New York, NY
“Aftermath: Inside the Forbidden
City,” University Gallery, Amherst, MA
“Tuscany ~ Inside The Light,”
Ariel Meyerowitz Gallery, New York, NY
2004
“Aftermath: Inside the Forbidden
City,” Fresno Art Museum, CA
“Aftermath: Inside the Forbidden
City,” Peninsula Fine Arts Center, VA
“Aftermath: Inside the Forbidden
City,” Fresno Art Museum, CA Provincetown Art
Association and Museum, MA
“Tuscany ~ Inside The Light,”
Catherine Edelman Gallery, Chicago, IL
“Joel Meyerowitz: Vintage Work from
the 1960’s,” Ariel Meyerowitz Gallery, New
York, NY
2005
“Aftermath: Inside the Forbidden
City,” Naples Museum of Art, Naples, FL
“Aftermath: Inside the Forbidden City,”
Hickory Museum of Art, NC
“Aftermath: Inside the Forbidden City,”
Boise Art Museum, Boise, ID
“Joel Meyerowitz: Works from the 1960’s,”
Galerie Thomas Zander, Cologne, Germany
“Joel Meyerowitz: Color Street Work
from the ’70’s,” Le Case d’Arte,
Milan, Italy
“Aftermath: Inside the Forbidden City,”
Contact Photography Festival, Toronto, Ontario
2006
“Aftermath: Inside the Forbidden
City,” Mobile Museum of Art, Mobile, AL
“Aftermath: Inside the Forbidden City,”
Huntsville Museum of Art, Huntsville, AL
“Aftermath: Inside the Forbidden City,”
Lafayette College, Easton, PA
““Modern Color, Vintage Prints,”
Edwynn Houk Gallery, New York, NY
“Color Work 1970-1980,” Hôtel
de Sully, Jeu de Paume, Paris, France (10/3/06 Opening)
“Aftermath: Inside the Forbidden City,”
Newberry Library, Chicago, IL“
2007
“Aftermath: Inside the Forbidden City,”
Otterbein College, Westerville, OH
“A selection from Aftermath: Inside
the Forbidden City,” Dock Swiss, Weggis, Switzerland
“Out of the Ordinary1970-1980 and
Aftermath 2001-2002,” Museum der Moderne, Salzburg,
Germany
“Out of the Ordinary 1970-1980,” Nederlands Fotomuseum, Rotterdam, The Netherlands
“Joel Meyerowitz: Between the City and the Sea, Photographs 1976-1988,” Jackson Fine Arts Gallery, Atlanta, GA
“The Elements: Air and Water; Part 1,” Galerie Thomas Zander, Cologne, Germany
2008
“Out of the Ordinary 1970-1980,” Musee de la Photographie, Charleroi, Belgium
“Trains and Boats and Planes,”
Witkin Gallery, New York, NY
“Utopian Visions,” Pfizer Corporate
Conference Center, New York, NY
1989
"The Art of Fixing a Shadow: 150
Years of Photography," National Gallery, Washington,
D.C.
"Photographs, From Private Collections,"
The Minneapolis Institute of Arts, Minneapolis, MN
"Women / Men," Seagram Collection
New York, NY
1990
"Diamonds are Forever" New
York State Museum, Albany, NY
1991
"Site Work: Architecture in Photography,"
Photographers Gallery, London, England
"Who's On first," Liberman
and Saul Gallery, New York, NY
"Pools," Moscow Art Museum
"The City Life of Flora and Fauna,"
The Seagram Collection, New York, NY
1992
"The Art of the Real: Edward Hopper
and Photography," Volksmuseum, Essen, Germany
"Sea Fever," Transamerica,
San Francisco, CA
1994
"The Spirit of the Child,"
Scott Nichols Gallery, San Francisco, CA
"Bystander; The History of Street
Photography" Art Institute of Chicago, IL
"After Art": Rethinking 150
Years of Photography". Henry Art Gallery, University
of Washington, Seattle, WA
"St. Louis Suite," Society
for Contemporary Photography, St. Louis, MO
1995
"White" Laurence Miller Gallery,
New York, NY
"Lets Go to the Movies" Bonni
Benrubi Gallery, New York, NY
"On the Streets," International
Center of Photography, New York, NY
"Street Engagements: Social Landscape
Photography of the Sixties," The Parrish Art Museum,
Southhampton , NY
"The Nature of Cities," Bonni
Benrubi Gallery, New York, NY
"Edward Hopper and the American
Imagination," The Whitney Museum, New York, NY
"3 Photographers" The Helman
Gallery, New York, NY
"Conde Nast Traveler 100,"
James Danziger Gallery, New York, NY
1996
"Truths and Trials," Color
Photography Since 1975, The Minneapolis Institute of
Art, Minneapolis, MN
"A Sense of Place," The Westmorland
Museum of Art, Greensburg, PA
"Picturing the South: 1860 to the
Present," The High Museum of Art, Atlanta, GA
"By the Sea," Fotouhi Cramer
Gallery, New York, NY
“Wedding Days,” Howard Greenburg
Gallery, New York, NY and Japan
"Eight Shades of Blue," James
Danziger Gallery, New York, NY
1997
"Hope Photographs," The National
Arts Club, New York, NY
1998
"In Over Our Heads: The Image of
Water in Contemporary Art," San Jose Museum of
Art, San Jose, CA
“Seminal Works,” James Danziger
Gallery, New York, NY
"Years Ending in Nine," FotoFest
exhibition, Museum of Fine Arts, Houston, TX
"Holding Patterns" Selections
from the Photography Collection of Arthur Goodwin, San
Jose Museum of Art, San Jose, CA
“Still Lifes,” DNA Gallery,
Provincetown, MA
“Photography's Multiple Roles,”
The Museum of Contemporary Photography, Chicago, IL
1999
“Bystander: A History of Street
Photography,” San Jose Museum of Art, San Jose,
CA
“Through a Glass Clearly: A Photographer's
View,” Telfair Museum of Art, Savannah, GA
“Baseball,” G. Gibson Gallery,
Seattle, WA
“Street Photographs, New York”
Turin Biennale, Turin, Italy
“Modern Starts, People, Places,
Things”, MOMA, New York, NY
2000
“Hope Photographs,” Katonah
Museum of Art, Katonah, NY
“Odalisque,” DNA Gallery,
Provincetown, MA
“It's So Hot,” Jackson Gallery,
Atlanta, GA
2001
“Revisted: Aspects of American
Photography,” Kicken Gallery, Berlin, Germany
“The Nature of Cities,”
Legnano, Italy
“Recent Acquisitions,” Miami
Art Museum, Miami, FL
“Overnight to Many Cities,”
303 Gallery, New York, NY
DNA Gallery, Provincetown, MA
“Walker Evans and Company,”
J. Paul Getty Museum, Los Angeles, CA
“An Enduring Legacy: Art of the
Americas from Nashville Collections,” Frist Center,
Nashville, TN
2002
“Visions of America: Photographs
from the Whitney Museum of American Art, 1940-2001,”
Whitney Museum of American Art, New York, NY
“Fast Forward II,” Berkeley
Art Museum/Pacific Film Archive, Berkeley, CA
“September 11, Bearing Witness
to History,” Smithsonian National Museum of American
History, Behring Center, Washington, D.C.
“States of the Union: Before and
After,” Greg Kucera Gallery, Seattle, WA
“Thousand Hounds,” Painewebber
Gallery, New York, NY; Norton Museum of Art, West Palm
Beach, FL; Columbus Museum of Art, Columbus, OH; Ohio
Wesleyan University Ross Museum, Delaware, OH
2003
“SYLVA,” Ariel Meyerowitz
Gallery, New York, NY
“The 'ing' Show,” Ariel
Meyerowitz Gallery, New York, NY
“The Human Form Divine: The Body
as Seen by the Camera,” Art Institute of Chicago,
IL
“Thousand Hounds,” Delaware
Art Museum, Wilmington, DE; Winnipeg Gallery, Winnipeg,
Manitoba, Canada; Durham Western Heritage Museum, Omaha,
NE; Seibu Department Store, Tokyo, Japan
2004
“Paris: A Century in the City of
Light,” Museum of Photographic Arts, San Diego,
CA
“Recent Acquisitions 2000-2003,”
Amon Carter Museum, Fort Worth, TX
“Light and Atmosphere,” Miami
Art Museum, Miami, FL
“DO,” Pace MacGill, New York,
NY
“Six from the Seventies,” Howard
Greenberg Gallery, New York, NY
“Site Seeing: Photographic Excursions
in Tourism,” George Eastman House, Rochester, NY
“American Pictures,” Whitney
Museum of American Art, New York, NY
“Wild Flowers,” Ariel Meyerowitz
Gallery, New York, NY
“Thousand Hounds,” Keihan Gallery,
Osaka, Japan; University of Maryland, Baltimore, MD
2005
“Garry Winogrand and the American
Street Photographers,” FOAM, Amsterdam, NL
“Still Life and Stilled Lives,”
Ariel Meyerowitz Gallery, New York, NY
“American Street Photographers,”
Stadtische Galerie Wolfsburg, Wolfsburg, Germany
“Significant Works Within Reach,”
Schneider Gallery, Chicago, IL
“Zabriskie Gallery, NY/Paris: Season
1980,” Zabriskie Gallery, New York, NY
“Adieu ~ A Farewell Exhibition,”
Ariel Meyerowitz Gallery, New York, NY
Szarkowski, John. "Looking
at Photographs," New York
Museum of Modern Art
1976
Davis, Douglas. "New
Frontiers in Color," Newsweek,
March 19, 1976
1977
Kozloff, Max. "Joel Meyerowitz,"
Aperture. Number 78, 1977
Lifson, Ben "Photography,"
Village Voice, December5.1977
Porter, Allen, ed. "The
Second Generation of Color Photographers" Camera,
1977
1979
Thornton, Gene. "Post-Modern
Photography: It Doesn't Look
Modern At All," ARTnews,
April 1979
1981
Lisbet, Nelson. "Seeing
the Light," American Photographer
September 1981
1982
Forman, Debbie. "Meyerowitz
Looks For A Special View
Of Life On The Cape,"
Cape Cod Times, Aug. 1982
1983
Gregory, Carolyn Holmes. "Two
Views: The Straight-forward and the Flamboyant,"
Views: The Journal of Photography in
New England, Fall
1983
Hass, Robert, "Joel Meyerowitz
and Plays of Light," Creative
Camera and Photography,
Jan. 1983
1984
Goldberg, Vicki, "Repeat
Performances," American
Photographer, April
1984
1994
Camper, Fred , "Little
Miracles," Chicago Reader, February 17,1994
“Our National Seashores,”
Audobon, May-June 1994
Foerstner, Abigail, "Man
on the Street," Chicago Sunday Tribune,
December 25,1994
1995
View Camera Magazine
Kahn, Joseph P.,"Summer's
Photo Finish," The Boston Globe, September
2, 1995
Goldstein, Howard, "Joel
Meyerowitz and Edward Hopper," CBS Sunday Morning,
October 1, 1995
1996
“Porch Dreams,”
Mirabella, July/August
1997
“A Modern Renaissance,”
Shutterbug, April
Giardina, Anthony, “The
Lake,” Harper's, September
Hecht, Julie, “Mind
on Fire,” Harper's, June
1998
“Terres de Mers,”
Le Monde, February
“The White House,”
Caravan, Moscow, May
“Looking for Mt. Fuji:
Joel Meyerowitz in Japan,” Doubletake,
Fall
“Size Matters,”
Studio Photography & Design, April
Wignall, Jeff, “Techniques
& Tips: Restoring Fading Memories,” PDN,
April
“A School With a View,”
Christian Science Monitor, July 21, 1998
1999
“The River Reborn,”
LIFE, September
Cover, Cape Women,
Summer/Fall
“A Man in the Street,”
Vogue Hommes International, Spring-Summer
Maxwell, William, “Grape
Bay,” The New Yorker, June 7, 1999
Gordon, Mary, “Paradise
Lost,” Vogue, August
“It's the Moment That's
Important,” Lincoln Center Theater Review,
Fall
“Town and Country,”
British Journal of Photography, Dec. 15, 1999
Art of the State:Massachusetts,
Walking Stick Press
Icons of Photography: the
20th Century, Prestel Verlag
Voyeur, Melcher Media
& Harper Collins
2000
Ellison, Cori, “A Shaman
Disguised as a Chanteuse,” New York Times,
April 30, 2000
Back Cover Showcase, Reader's
Digest, May
Boston Magazine, “Books,”
May
Doubletake, “Discriminations,”
Summer
Audubon, “In
the Middle of a Marsh,” August
Cape Cod Life, “An
August Day,” August
du Magazine, “Fotografie:
der lange weg zur farbe,” July/August
The New Yorker, September
18, 2000
TalkMagazine,
October
French Architectural Digest,
November
Harper's Bazaar, December
2001
Spick Magazine, Switzerland,
February
“Learning from St. Louis,”
Harvard Design Magazine, Summer
“Photographer's Gardens,”
Garden Design Magazine, June
“Locations,” Book
Magazine, July/Aug
Color Photography,
Gabriel Bauret, Editions Assouline
Everyday Life and Cultural
Theory, Routledge, London
“Showcase,” The
New Yorker, September 24
“Beyond Words,”
The New Yorker, October 15
2002
“Portfolio,” The
New Yorker, May 20
“Even in a Moonscape
of Tragedy, Beauty Is in the Eye,” The New
York Times, May 23
“Day is Done,”
People Magazine, June 10
“American Ground: Unbuilding
the World Trade Center,” The Atlantic Monthly,
July/Aug, 2002
“Joel Meyerowitz,”
BIG Magazine, June
2003
“The Card Trick,”
The New Yorker, Jan 20
“La Toscana,”
Flair, February
“Saving the wall that
saved New York,” The New York Times, February
27, 2003
“Odyssey's End,”
Casa Brutus, April
“Meyerowitz Goes Big to Capture Ground Zero,”
Daily Hampshire Gazette, November 25
2004
“Meaning, Mapping, and Making of
Landscape,” The Architectural Review,
January
“Voice Choices”, The Village Voice,
January 7-13
“Art for All,” Relax, October
“Joel Meyerowitz,” Digital Photographer,
Issue 28
“America: Untitled, 2004,” Esquire The
Photography Issue, October
2005
“The Simple Life,” Town
and County, January
“Places,” Absolute, Summer
2006
“BLOCKS; Capturing Images of Progress
and Hope,” The New York Times, August 31
“A Visual Record of a Profound, Tragic
Moment,” Houston Chronicle, September 1
“The Unbuilding,” The New
York Times, Sunday Book Review, September 3
“Remembering September 11,”
Washington Times, September 10
“AFTERIMAGES,” The Boston
Globe, September 11
“His Small Images Add Up to Larger
Picture,” Miami Herald, September
“Five Years Ago,” Oprah,
September
“Summing Up Zero,” Art Review,
September
"La Lumiere Meyerowitz,” Vogue
Paris, October
“Partial Answers, Journal of Literature
and The History of Ideas,” Vol.4 No.1 (Jan 2006)
Where We Live / Photographs of America
from the Berman Collection, J. Paul GettyTrust No.
1 First Works by 362 Artists, D.A.P.
"Buonconvento, Italy," New
York Times Magazine, November 19
2007
"Street Seen," Spread ArtCulture, Issue 01
"Color Photography," The Humanities Through the Arts, McGraw Hill Co.
"After Ground Zero: New York's Parks," The New York Sun, June 6
"Wild in the City," Photo District News Online, July
Albertina Museum, Vienna
Amon Carter Museum
A.T.T. Collection
Boston Museum of Fine Art
Carnegie Institute, Museum of Art
Centre Pompidou, France
Chicago Art Institute
The Falkenberg Collection, Germany
George Eastman House
The Gilman Collection
I.B.M. Collection
International Center of Photography, New York
LaSalle Bank Collection
Library of Congress
Merrill Lynch Collection
The Metropolitan Museum of Art
Museum of Modern Art, New York
Miami Art Museum
The Museum of Photographic Art
National Museum of American History
Philadelphia Museum of Art
San Francisco Museum of Modern Art
San Jose Museum of Art
Seagram Collection
St. Louis Museum
Stedelijk Museum, Amsterdam
The Toledo Museum of Art
Virginia Museum
The Whitney Museum of American Art
The U.S. Trust Company
Gund Collection
Hallmark Cards Collection
New York Institute of the Humanities, New York, NY
Library of Congress, Washington, D.C.
Panelist, Third Coast International Audio Festival, Chicago, IL
Savannah College of Art and Design, Savannah, GA
Temple Beth-El, Providence, RI
2004
Keynote Speaker, Society for Photographic Education, Austin, TX
Panelist “Communicating With the World: Diplomacy That Works,” Georgetown University, Washington, D.C.
Keynote Speaker, 4th Annual Alzheimer’s Conference, New York, NY
Trinity University, San Antonio, TX
Utah State University, Logan, UT
2005
Keynote Speaker, Institute for Cultural Diplomacy, New York, NY
Inaugural Address, Rackham Graduate School, University of Michigan, Ann Arbor, MI
Peninsula Fine Arts Center, Newport News, VA
Panelist, “Homage to Henri Cartier-Bresson, AIPAD, New York, NY
2006
2006 National Association of Independent Schools
Annual Conference, Boston, MA
Keynote speaker, “Imagining America,”
Lafayette College, Easton, PA
Keynote Speaker and featured artist, Chicago Humanities
Festival, “Peace and War”
Speaker and Presenter, NY Public Library, “Aftermath:
World Trade Center Archive”
Jeu de Paume, Paris, France
Museum of London, London, England
President’s Lecture, D&AD, London, England
Keynote speaker, “Imagining America,” Lafayette College, Easton, PA
2007
Parrish Art Museum, Southampton, NY
Truro Public Library, Truro, MA
